2019 | “하와이 한인의 아리랑과 독립정신,” 1차 아리랑 국제학술대회 발표논문집, 73-81 |
2018 | “가피아스 교수와의 만남과 자료의 가치 [Meeting with Prof. Garfias and the Value of his Collection of Korean Music]” 문화외부자의 시선: 음악인류학자 로버트 가피아스의 1960년대 국악 민족지, 국립국악원. 32-37. |
2018 | “Politics of Arirang: Tripartite Function and the Social Dynamics of a Korean Folksong in South Korea, North Korea and the China,” Journal of International Korean Studies. |
2017 | “영국인 음악수집가 John Levy와 나 [John Levy’s Contribution in Disseminating Korean Music in the 1960s],” Tongyang Ŭmak: Journal of the Asian Music Research Seoul National University. 42 (December 2017) 267-275. |
2017 | “범패 홋소리와 짓소리의 음악적 구조와 경제사회적 기능 [Musical Variance in Korean Buddhist Chant: Conformance to Socioeconomy], Buddhist Newspaper (November 27, 2017 Seoul, Korea). |
2016 | “무엇이 한국음악인가? 한국전통음악의 미적 인식 [What is Korean Music? The Esthetic Cognition of Korean Traditional Music], Proceedings of the conference on Korean Music in World Perspectives, 171-185. |
2015 | “음악을 통한 한국, 중국, 일본 표현예술의 비교” [Comparison of the Expressive Cultures of Korea, China and Japan through Music], Proceedings of the international conference “Korean Music in Asian Perspectives.” Association of the Korean Music Education, 41-61. In Korean. |
2013 | “The Change of Arirang Symbolism in the United States of America: A Brief Personal Perspective, Arirang Korea Culture and Beyond:Arirang from Diverse Perspectives, Edited by Sheen Dae-Cheol. Seongnam: Academy of Korean Studies. 249-256. |
2012 | “Korean Traditional Music: A bird’s-Eye Vie,” Rediscovering Traditional Korean Performing Arts. Co-edited by Haekyung Um Hyonjoo Lee. Seoul: Korean Arts Management Service. 18-24. |
2011 | “Sound in Nature, Sound in Arts, Sound in Seon Meditation,” Dukwon Forest Research Journal. 45-48. A keynote speech presented at the award ceremony of the JoongAhn Prize for Achievement in Arts and Humanities. |
2008 | “Portrait of a Deceased Shaman: Ethical Issues in Ethnomusicological Fieldwork,” Proceedings of the International Conference of Korean Musicologists: Korean Music in World Context. Pusan: Pusan Branch of the National Gukak Center. 317-327. |
2007 | “Double-Sided Nature in Understanding Traditional Music: Suggestions for Developing Korean Music Textbook in English,” Hanguk munhwa yŏngu 13. Ewha Woman’s University Institute of Korean Culture, 263-278. “전통음악 이해의 양면성: 한국음악 영문교재 개발을 위한 제언,” 한국문화연구 13. 서울: 이화여자대학교 한국문화연구원, 263-278.
“세계 음악에서 산조의 위상 (Place and Status of Sanjo in World Music Context),.”
Proceedings of the 7th Kayagum Sanjo Festival: 세계문화유산 산조의 美,
“한국전통음악 음반제작을 중심으로 본 해외 음반 아카이프 사례의 검토와 제언” Korean Music Archives Abroad], Proceedings of the conference “Study of Korean Music Recordings,” Dongguk University Academy of Culture, 84-94. In Korean. |
2005 | “Musical Acculturation during the Colonial Peirod: a Global Perspective and Critical Assessment,” Tongyang Ŭmak (동양음악): Journal of the Asian Music Research Institute 27: 1-21. |
2002 | "Buddhist Music," The Garland Encyclopedia of World Music, vol. 7 (East Asia: China, Japan, and Korea). New York: Routledge. 871-874. |
2000 | “Western Staff Notation and Its Impact on Korean Musical Practice,” The Changing Values of Music: In Search of New Creativity. Seoul: Korean National Commission for UNESCO. 89-102. “The Current State of Research on Korean Music,” Yearbook for Traditional Music 32. 143-149. |
1999 | The Ornaments in Traditional Korean Music: Structure, Function and Semantics, Ssi-ol. Almanach 1998/99der Internationalen Isang Yun Gesellschaft e.V., Berlin: Internationale Isang Yun Gesellschaft e.V. 59-66. |
1998 | "The Characteristic Timbre in Korean Music as Reflected in the Adoption of the Chinese Yazheng and the Modification of Traditional Instruments," Essays in Musicology: An Offering in Celebration of Lee Hye-ku in his Ninetieth Birthday. Seoul: Yihyegu hagsulsang unyŏng wiwŏnhoe. 537-44. |
1997 | "Concept and Aesthetics in Traditional Music," Korean Cultural Heritage, Vol III Performing Arts). Seoul: Korea Foundation. 28-35. |
1996 | “Social Dimensions of the Performing Arts,” The ’96 Seoul International Sport Science Congress Proceedings, I: 159-165. |
1994 | "韓國音樂의 社會的 特徵 [Social Characteristics of Korean Traditional Music]," International Journal of Korean Studies. 1: 110-119. |
1993 | "Contemporary Korean Musical Cultures," Korea Briefing, 1993. New York: Asia Society and Westview Press. 121-38. |
1992 | "Traditional Music in Contemporary Korean Society," A Festival of Korea: Humanities Guide. Honolulu. |
1989 | "朝鮮民族の 音樂傳統[Musical Traditions of Korean Peoples]," Nihon no ongaku. Ajia no ongaku [Japanese Music. Asian Music]. Tokyo: Iwanami shoten. Special Volume I, 235-247. (In Japanese) |
1988 | "Musical Identity and Acculturation in the Yanbian Korean Autonomous Region of the People's Republic of China," Papers of the 5th International Conference on Korean Studies II:3-25. Songnam: Academy of Korean Studies. |
1985 | "The Features of the Mahayana Buddhist Ritual Performing Arts of Korea," World of Music 27(2): 49-61. |
1984 | "한국 전통음악의 민족음악학적 연구: 그 현황과 문제점 Hanguk chŏnt'ong ŭmak ŭi minjok ŭmakhakjŏk yŏngu: kŭ hyŏnhwang kwa munjejŏm [Problems in Ethnomusicological Research on Korean Traditional Music]," Hangukhak nonjip., 5:321-329. Seoul: Hanyang University Center for Korean Studies. (In Korean).
"韓國 梵唄形式을 통한 古代 音樂形式의 硏究 [Study of the Ancient Musical Style through the Structure of Korean Buddhist Chant],"
『韓國 古代文化와 隣接文化와의 關係Hanguk kodaemunhwa wa injŏpmunhwawa iŭ kwangye. 487-501. Songnam: Academy of Korean Studies. |
1983 | "Micro- and Macro-Structure of Melody and Rhythm in Korean Buddhist Chant," Traditional Korean Music. Seoul: Korean Nat'l Commission for UNESCO. 152-160. |
1981 | "Concept, Practice and Repertoires of Traditional Improvisatory Music of Korea," Journal of Asian Music Research Institute 4:21-36.
"Korean Court Music and Dance," World of Music 23(l):35-49. "La Musique d'Interpretation Traditionnelle de Coree, Concept, Pratique et Repertoire," Revue de Coree 13 (3): 36-52.
"韓國 梵唄形式을 통한 古代 音樂形式의 硏究
[Study of the Ancient Musical Style through the Structure of Korean Buddhist Chant],"
『韓國 古代文化와 隣接文化와의 關係 Hanguk kodaemunhwa wa injŏpmunhwawa iŭ kwangye. 487-501. Songnam: Academy of Korean Studies. |
1980 | Introduction to Traditional Korean Dance, The Fifth Festival of Asian Arts. Hong Kong: Hong Kong Urban Council. 104-111.
"Improvisation in Korean Music," Music Educators Journal 66(5):137-145.
"Perspectives on the Problems of Ethnomusicological Research of Korean Music," Korea Journal 20(11):32-38. |
1979 | "Evolution of the Role and Status of Korean Professional Female Entertainers (Kisaeng)," World of Music 21(2):75-84. |
1977 | “Structural Formulae of Melodies in the Two Sacred Buddhist Chant Styles of Korea,” Korean Studies 1: 111-196. |
1971 | "A Short History of Pomp'ae: Buddhist Ritual Chant of Korea," Journal of Korean Studies 1(2):109-121. |
1963 | 動動과 井邑의 比較硏究 Tongdong kwa chŏngŭp ŭi pigyo yŏngu [A Comparative Study of Tongdong and Chŏngŭp Songs] Ŭmdae hakpo. 121-131. |
